Showing posts with label experimental. Show all posts
Showing posts with label experimental. Show all posts

[wgazesnzea] Download Office Visit JNL Fonts Family From Jeff Levine

Download Office Visit JNL Fonts Family From Jeff Levine


Dan Hardie, a Miami-based graphic artist and creative consultant at Mutiny, Inc. shared an image he’d spotted online of some interesting signage formerly on the front of the Miami Medical Building.


Comprised of hand-cut metal characters (with a thoroughly avant-garde “Art Deco meets Modernist” approach), this instantly became a font design idea unusual and quirky enough to develop as a digital typeface.


The end result is Office Visit JNL, which is available in both regular and oblique versions.



Download Office Visit JNL Fonts Family From Jeff Levine


[jlknuisbfw] Download Ballpill Fonts Family From bb-bureau

Download SK Brushwood Fonts Family From Shriftovik

Download SK Brushwood Fonts Family From Shriftovik


SK Brushwood is an experimental geometric font based on chaotic lines. It is inspired by the Greek stone script, but nevertheless it is modern. The main component of the letter shape is straight and sloping lines ending in straight corners, which makes it look like brushwood. This is why the font gets its name. SK Brushwood is perfect for headlines, posters, print work, and the Internet.



Download SK Brushwood Fonts Family From Shriftovik


Download Holo Fonts Family From Missin Glyphs

Download Poultry Sign Fonts Family From Ingrimayne Type

Download Poultry Sign Fonts Family From Ingrimayne Type
Download Poultry Sign Fonts Family From Ingrimayne Type Download Poultry Sign Fonts Family From Ingrimayne TypeDownload Poultry Sign Fonts Family From Ingrimayne Type



While searching through microfilm of an old, 1932 newspaper, I stumbled on the word "Poultry" written with trapezoidal letters. I did not recall seeing lettering like this and it inspired me to design a typeface that could produce a similar result. 


Poultry Sign has six styles in two widths, each with three weights. It is monoline, monospaced, and all caps. The letters on the lower-case keys reverse the trapezoid of those on the upper-case keys. The designer's expectation is that the most common use for this typeface will alternate upper-case and lower-case keys. The spacing of the letters is identical within each width so the styles can be layered to produce bi-colored or tri-colored letters. There is a second set of numbers that can be accessed with an OpenType stylistic alternative. Also accessible with OpenType stylistic alternatives are variations of letters T, N, L, Y, and lower-case V.



Download Poultry Sign Fonts Family From Ingrimayne TypeDownload NowView Gallery


Download Heller Sans JNL Fonts Family From Jeff Levine

Download Heller Sans JNL Fonts Family From Jeff Levine

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Heller Sans JNL is based on the main letterforms of an experimental alphabet designed by Steven Heller; noted author of over 170 books on design and visual culture. Some modifications were made in turning his design into a digital font. In his own words, here is the background to this typeface: “I recently recovered this from the junk heap. It is a yellowing photostat of my first and only typeface design (1969-70). Total folly! At the time I was smitten by Art Moderne lettering. I called it “Klaus Boobala Bold” because I liked the K and B. I’ve lost the letters S through Z, which were made. The letters were drawn with compass, Techno pen (that frequently clogged). as well as a triangle and T-square. The inline and outline made no real logical sense. I based the design, in part, on Kabel, Avant Garde and it was a product of whatever I could accomplish with those tools. The caps-only alphabet was photographed and produced as a film negative that was cut in foot-long strips and spliced to fit on a Typositor reel. Sadly, the negatives made for the font were too brittle and the splice snapped apart in the Typositor. I worked on it for well over a month and used the face only once. I realized with this attempt, like so many other times I attempted different challenges, that type design — indeed mechanical drawing — was not my strong suit.” Heller Sans JNL is available in both regular and oblique versions.

Download Heller Sans JNL Fonts Family From Jeff Levine
Download Heller Sans JNL Fonts Family From Jeff Levine



Download Heller Sans JNL Fonts Family From Jeff Levine


Download Rever Fonts Family From ParaType

Download Rever Fonts Family From ParaType

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Rever is an experimental typeface by a young designer Sasha Smirnov. It clearly alludes to 19th century typefaces with reverse contrast, but still the character shapes are as simple and geometric as possible. Rever answers the question “What can a reverse-contrast typeface look like today?” Its set of styles is non-traditional: in addition to a regular one, there are also an oblique (slanted to the left, not to the right!) and a stencil styles. The typeface can work for typographic experiments of any kind -- web, print or motion design. The font was released by Paratype in 2019.

Download Rever Fonts Family From ParaType
Download Rever Fonts Family From ParaType



Download Rever Fonts Family From ParaType


Download Sihmittree Fonts Family From Ingrimayne Type

Download Sihmittree Fonts Family From Ingrimayne Type

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Sihmitree is a gimmick typeface in which all glyphs have reflective (mirror) or rotational symmetry (or both). Sihmitree has two weights and is caps only, with most of the lower-case letters identical to the upper-case letters. It includes only those accented characters that are symmetrical. The letters of the alphabet are often used to explain symmetry. BCDEK are given as examples of shapes that can easily be formed with symmetry over a horizontal line. AMQTUVWY can easily be formed so that they mirror over a vertical line. Letters HIOX can be formed so they mirror over both horizontal and vertical lines, and as a result they will also have rotational symmetry. Letters NSZ can be formed so that they reproduce themselves with a rotation of 180º. That leaves letters FGJLPR, which are usually considered examples of asymmetry. However, there are script versions of J, L, and R that can be formed with symmetry, and variants of lower-case f and g can be made that are symmetrical. P looks a lot like the thorn character. Some of the numbers also present challenges when trying to form them symmetrically. The symmetrical alphabet is not stylistically harmonious and has limited use other than as an exploration of symmetry.

Download Sihmittree Fonts Family From Ingrimayne Type
Download Sihmittree Fonts Family From Ingrimayne Type



Download Sihmittree Fonts Family From Ingrimayne Type