Nelson Slater

Meet Grand Cru – a new approach to serif type. The type family is divided to three groups – Small, Medium and Large – according to the amount of contrast in letterforms. Forget about those old Text/Display categories – it’s up to you how to use your typeface. While the Grand Cru Large fonts are highly decorative, the Small versions function as reliable workhorses.

All Grand Cru fonts come with thoughtful Open Type features – built-in small capitals are found in all of them, while the italics come with handsome Swash capitals. The romans are equipped with intelligent numeral styles including subscript and superscript and fractions.

Maleo is a contemporary display sans with grotesque roots, taking cues from typefaces such as Benton’s Franklin Gothic & Alternate Gothic and contemporaries such as Obviously & Mars Condensed.

Designed by Aditya Wiraatmaja as his debut retail typeface, Maleo is primarily designed with large-size usage in mind. Its tiny flare and angled cut terminal lends itself a friendly and approachable presence. With a family of 14 styles that range from thin to black with matching italics, it is a versatile display type that stands out in headlines, yet one that emits a charming personality.

Maleo support various languages and is equipped with many Opentype features including; Old Style Figures, Ligature, Fractions, Numerators and Denominators, and Stylistic Alternates.

New Ways is a modern sans font family designed to ensure readability and clearness suiting branding, editorial and advertising projects.

30s inspired geometric inline display typeface

Several titling typefaces made their appearance at the start of the 20th century, notably Acier and Bifur, both created by French poster artist Cassandre. Later, in the Netherlands, S.H. de Roos designed a version of Inline for its Nobel family called, naturally, Nobel Inline. AW Conqueror Inline pays homage to this beautiful version.

AW Conqueror superfamily

AW Conqueror Didot is part of a larger family, who include 4 others subfamilies with great potential: They’re but based on same structure, with some connection between them (width for example), to offer a great & easy titling toolbox to any designers, from skillful to beginner. Each of the members try their best to be different from the others because of their features. They should work harmoniously in contrast.

Club des directeurs artistiques Prix 2010

European Design Awards 2011

Mooono is retro futuristic monospaced font. The bright side (uppercase) is straight and to the point but the dark side (lowercase) is fat and funky. Mix up the upper and lower to create some serious spaced out vibes. I only saw the crescent, you'll see the whole of the mooono!

FS Brabo is an eloquent typeface.

Not a revival, but very much a contemporary & sturdier interpretation of a garalde – a class of typeface originating in the 16th century with characteristically rounded serifs and moderate contrast in between strokes. FS Brabo is a modern take on a workhorse serif typeface: colorful and versatile enough to adorn not just editorial projects but also signage, advertising, logotypes and other uses.

Brayhonest offers a wide range of options for creating logos, titles and titles. It is suitable for books, editorials, packaging, advertising, brand imaging and more.

Brayhonest includes Collection of Uppercase, Stylistic, Latin Based Language Support, Numbers and Punctuation. Set Stylistic is available in Uppercase and Lowercase.

Brayhonest is encoded with PUA Unicode, which allows access to all features without special design software. Mac users can use Font Books, and Windows users can use Character Map to view and copy extra characters to paste into your favorite app / text editor.

Carmensin is a beautiful humanist serif typeface created by Rafael Jordán. Designed in the 21st Century with all the flavor of the Renaissance. The conclusion of a story that began in Type@Paris program in June, 2015 & ended at February, 2020.

Inspired by historical models, its classic conventional appearance with small details, smooth curves, large x-height and open counters made of Carmensin a great, efficient and solid typeface for long text settings. Also, its bigger sizes styles show the beautiful shapes and contrast, exhibiting its exuberance.

Carmensin has a great collection of OpenType features that will satisfy any typographic necessity as ornaments, ligatures, stylistic sets, small caps, automatic fractions and more options along 3 optical styles (Text, Headline and Display) plus a fancy Stencil style. With an extensive Latin character set, Carmensin covers a wide amount of Latin-based languages, including Latin Plus encoding.

Chamberí is designed to be Vogue España's bestpoke typeface. An ambitious typographic branding project made for one of the most iconic magazine headers of the world, it defines the Spanish edition’s personality through a blending of the functionality of XIX Century Modern Romans (also known as “Scotch" typefaces) and the gestural expressiveness of typographic Baroque. Chamberí is a peculiar combination of the rational and the delicate, the sturdy and the feminine. The family is organised in a broad spectrum of 56 variants in which the transition from the restrained text version to the flamboyant, elegant display is modulated by contrast. The family is organised in seven weights: from Extra Light to Black, plus four contrast grades: Text, Headline, Display and Superdisplay. All this with its own Italics, Small Caps and Old Style Figures, besides the due refinement to resolve any editorial and communicative requirement.

Federasyon was designed on the principles simplicity, legibility and functionality. The font family includes four weights and each weight has more than 240 characters on its own. Federasyon contains more than 10.000 optical arrangement data for each character to work in harmony with each other. Federasyon supports a total of 22 languages, including Western and some Central European languages.

Mondia is a modern serif font family with 18 fonts inspired by transitional and contemporary typefaces. Mondia has been designed with high-contrast character ratio to give an elegant touch, and high x-height to give sentences more legibility.

Ranging from thin to fat with its matching italics, Mondia offers many possibilities to be applied in many graphic or editorial projects. Also thanks to the extended latin character set so that Mondia supports 200+ latin-based languages.

Mondia also has a complete set of true small caps that integrate beautifully with lowercase letters to give more emphasis to the highlighted texts.

Mondia has OpenType features built in, such as stylistic alternates, standard ligatures, special ligatures, oldstyle figures, localized letters, automatic fractions, sub/superscripts, and ordinals. Mondia also has a complete set of proportional and tabular numbers.

With those features, Mondia is a great choice for headline, branding, titles, but can also perfectly be used in small articles.