Phonk is a quite bold and wide font. It's great for headlines because it is a good eye-catcher. The font can also be used well for logos and other typographic experiments.
Phonk has very wide language support. It has both Latin and Cyrillic.
Phonk is a quite bold and wide font. It's great for headlines because it is a good eye-catcher. The font can also be used well for logos and other typographic experiments.
Phonk has very wide language support. It has both Latin and Cyrillic.
For anyone who prefers to stand out from the crowd, than to go with the flow!
Arpona is a typeface with small wedge serifs and a strong character, ideal for corporate design and all projects characterized by a sense of individualism – for example art, fashion, food, beverage and lifestyle topics.
Arpona is inspired by roman letters carved in stone but otherwise difficult to categorize. It is neither a pure serif nor a sans but rather a symbiosis of different design concepts. Because of its display qualities, Arpona is a good choice for packaging, advertising and editorial design and is well readable even in running text on screen.
The family has nine weights, ranging from Thin to Black plus corresponding italics. Each style includes 590 glyphs supporting all western-, eastern- and central-european languages including four sets of figures and various currency symbols.
For more information visit the microsite: http://floodfonts.com/arpona
Prymityv is inspired by brutalist architecture from the Eastern Bloc. It's heavy and massive, perfect for display purposes. Prymityv contains Latin and Cyrillic alphabet, Latin with Western, Central and South Eastern European diacritics, Cyrillic with Russian, Bulgarian, Serbian and Macedonian and Ukrainian diacritics.
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